PH v2.0

Sunday, 22 November 2009 02:48 by davemarcotte

Well, I have to admit, I was a bit anxious in the days and hours leading up to Friday night's show at the Press Club.  We haven't played live much recently (I think only 2 shows in the last 8 months or so), so we were anticipating this one a bit more than usual.  

Our set consisted mostly of newer stuff.  Some very new, and we stacked those songs near the top of the set.  I've also added some new gear to the arsenal, so the show was sort of a reboot for us.  I'm playing more electric guitar now, and I've added a "foot piano" into the mix too.  So, yeah, I was basically nervous that something would go wrong somewhere along that chain.  There were a lot more things that could possibly go wrong than usual, so I figured that if we didn't fall on our faces at any point during the set, the night could be considered successful.  

 

Ryan Partridge started the night by taking us through the "Subway Rider's" commute.  Dusting off his sampler, he dropped the occasional beat (which is a good thing, of course), like sitting on a crowded car, somehow solitary inside the warm envelope of your headphones chiming in with the soundtrack to your isolation in a crowd.  On stage, Ryan donned headphones from time to time, and he was by no means isolated.  Headphones notwithstanding, the soundtrack was shared for all to hear.  I know it was part of a work in progress, which made it an even more outstanding set from my perspective.  He tried some brave stuff, and it came off really well.

 

We followed with a not too disastrous set.  So, by my standards, pretty good.  The new stuff felt really good, and we kind of settled into a nice groove.  I'm not going to say much more than that.  I'll let the people that were there be the ultimate judge.  

Nick Zubeck followed with his cast of always sublime co-conspirators: Darren Wall, Robbie Grunwald, and um, oh yeah, Marshall Bureau.  Every time I hear these guys, it seems like they try something a little different, whether it be a different keyboard sound from Robbie, or a different bass part (Darren didn't play any electric bass, just upright).  The music is always epic, and Friday was no exception.  There were huge climaxes in "Tip Of My Tongue" and "Cherry Sunshine" and slow burning mood pieces with payoff hooks in songs like "Track and Field"

Thanks to everyone who made it out.  See you soon.

P.S. both photos were taken on an iPhone, which explains the somewhat poor quality, but also means that we're cool 

Dave 

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Best of uhm, 2008, and stuff

Monday, 29 December 2008 10:14 by davemarcotte
     THE SERIES: #1
This is one of my favourite times of the year.  It’s list time.  

I’ve been browsing the various lists posted by various tastemakers, online and otherwise, and reflecting myself about what I think my list would look like.  I’ve come to a few conclusions.  One is that I don’t really agree with most of the consensus picks, and the other is that I’m not even sure I could come up with a good list myself.  It’s been a strange year for me listening to music.  I had trouble really getting into some stuff that was well reviewed (Fleet Foxes), and enjoyed some others without getting overly aroused (TV on the Radio).  

It has, however been a pretty strong year for Toronto artists.  I spent much of the year obsessing over Tiny Mirrors by Sandro Perri (it was released in 2007, but I didn‘t get it until the end of that year).  Here are some other notes on stuff I loved out of Toronto:
  
Ryan Driver's Feeler of Pure Joy was a revelation.  It is neither easy nor difficult listening, which suits me perfectly.  The lyrics are really good, and I was struck by the range of sounds and ideas flowing through each song.  Definitely one of the best and most interesting this year.

Tracker by Nick Zubeck is a striking studio offering from one of my favourite live bands going.  There is a wonderful ebb and flow to this sonic adventure.  There are instantly classic songs for the short attention span set, and slow burners for folks with deeper listening motives.  The musicians on this record are some of the best in Toronto (including Nick, of course).

The first full band release by Olenka & the Autumn Lovers is a collection of haunting ballads and waltzes.  There is an eastern European influence here along with Waitsian sensibilities.  This is one of those albums that, like, if it was playing in the background at a bar that you’re at would make you go “Hey.  Who are these guys you have on right now?” 

Lastly, even though Hayden is a bigger name than some the artists mentioned above, I’m a bit confused as to why In Field and In Town doesn’t seem to be on any best of lists that I’ve seen.  Is it because it was released in January, and everyone forgot about it?  Hayden is one of the most referred to artists in these parts anytime you talk about honest to goodness great song writing.  He’s practically royalty in that context.  And he put out his BEST album!  I just thought we might be talking about that a little more.  Maybe it’s just me.  Maybe, like our parents still insist on going to Eagles concerts, and claim that some of their new material is actually really great, I’m getting stuck in my ways and don’t like all these new-fangled bands that just aren’t as good as the old days (mid 90’s to early 00’s).  Well that may or may not be the case, but since I was thinking about lists and a time when stuff was really awesome, I thought I’d take a look back at a couple of special years as a music fan.  Here are a couple of lists from the Marcotte Year End Archive:



2000

1.  Kid A by Radiohead
2.  Lift Your Skinny Fists Like Antennas To Heaven by Godspeed You! Black Emperor
3.  Stankonia by Outkast
4.  The Moon and Antarctica by Modest Mouse
5.  Hour of Bewilderbeast by Badly Drawn Boy
6.  The Sophtware Slump by Grandaddy
7.  And Then Nothing Turned Itself Inside Out by Yo La Tengo
8.  Bow Down To The Exit Sign by David Holmes
9.  American III by Johnny Cash
10.XTRMNTR by Primal Scream 


2002

1.  Yankee Hotel Foxtrot by Wilco
2.  () by Sigur Ros
3.  The Private Press by DJ Shadow
4.  Phrenology by The Roots
5.  Yoshimi Battles The Pink Robots by The Flaming Lips
6.  Sea Change by Beck
7.  National Skyscraper Park by Hayden
8.  Yanqui U.X.O. by Godspeed You! Black Emperor
9.  Original Pirate Material by The Streets
10.Murray Street  by Sonic Youth

How awesome are those lists!??  Feel free to post your list for 2008 (or other) in the comments section.

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Matinee series #2 - Nov 2nd Sunday Recap

Monday, 3 November 2008 13:26 by davemarcotte

Well, the second Sunday in our monthly Press Club series was really fun.  Nick Zubeck and his band (Marshall Bureau and Darren Wall) floored every one in attendance. Olenka and the Autumn Lovers were a revelation, and we wish them good luck as they embark on a potentially uncomfortable tour (the travel details were disclosed to me, and it sounds harrowing - Mike H suggested that at least one of the band mates may end up pregnant by the end of the tour, even if by immaculate highway conception). The four of them and their abundance of instruments will travel east in a compact car. Can’t wait to hear about it.

Also found out that Shawn Clarke of the ‘Lovers is a great guy in addition to being a talented musician and blogger. He’s going to play with us in the next instalment of the Sunday Press Club series. I also want to share that he has a very excellent blog that is pretty much like what I wish most other blogs were like. It’s called birdstootiredtofly, and if you love music and the arts in general, check it out.

 

 

 

 

 

 

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Our monthly Sunday at the Press Club with very special guests

Tuesday, 28 October 2008 12:27 by davemarcotte

 

 

 

 

 

 

so we're continuing our monthly series this coming Sunday at the Press Club at around 7pm.  This time around, we will be upstaged by the Nick Zubeck, and Olenka and the Autumn Lovers.

Both acts are among my favorites, and they should not be missed if they're playing anywhere near you.

check them out:

Nick Zubeck

Olenka and the Autumn Lovers

 

 

 

 

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Nick Zubeck CD Release

Tuesday, 30 September 2008 13:01 by davemarcotte

 

So, based on my last few posts, it might seem like I just think everything is great, and I heap praise upon any band I see. Though this post won't appease knee-jerk detractors who really believe that, all I can say is: fuck 'em. Nick Zubeck is one of my favorite artists in Toronto, and his band is pretty much right at the top for me.  On September 18, Nick held his CD release party in the main hall at the Tranzac. Christine Bougie, Dafydd Hughes, and Sandro Perri opened.  Christine and Dafydd played very beautiful music, some of which was reminiscent of collaborations between Daniel Lanios and Brian Eno in the early eighties, but I don't want to cheapen what they did by simply attatching a comparison. The music really was beautiful, and I can't wait to check them out again at the Tranzac (they play there every Monday at 7pm).  Sandro played without cliché as always. And Nick, Darren, Marshall and Robbie delivered an inspiring performance that sent chills up our collective spines. If you see the name Nick Zubeck in your local listings, go see this band. In addition, I've had some time to listen to the cd in question, Tracker, and it's brilliant. The show and the disc really felt like a triumph to me as a fan, seeing Nick and Co. seemingly poised to take some big steps after a culmination of a few years of music that some of us already knew was world class.

 

 

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